- Helen Shideler
- Quispamsis, NB, Canada
- As long as I can remember I have been drawing and painting. Although my subject matter may have changed with time, what has not changed it my attraction to nature. Being drawn in by sunlight, shadows textures and details all with rich colors. I know I am best challenged when the work has a high element of complexity. I spend much time and effort exploring my subjects - striving to gather as much information as possible before I begin working. My first love is working with water mediums - from watercolors, through acrylics and most recently water soluble oils. Often I may explore the same or similar subject in different mediums.
Friday, August 20, 2010
This is an iris from my garden and one of my favourites. We grow a number of bearded irises - but thsi one always stops me in my tracks. The blues are so intense and the white so crisp.
This flower reminds me of a ballgown, hence the neme "Blue Taffeta"
Saturday, August 14, 2010
These pansies remind me of the old fashioned ones in every country garden I saw as a child, or the old china teacup with the delightful pansies on them - hence the paintings title.
So I link it, and once I figure out a framing solution - I will let you know if I intend to purchase more. I still will admit, for any intricate and serious work, I will always use Arched 300lb cold pressed paper.
Oh, by the way - I think they are "bluish" not so purple?
Thursday, August 12, 2010
Aquabord is a relatively new hard surface for painting with watercolours. The beauty of this surface is that the completed piece is sprayed with acrylic Krylon archival varnish when completed and framed without glass. Thie piece is protected. As so many people now prefer to purchase paintings with out glass in order to emiminate glare from lighting and windows - this is a nice option. The main thing is, the work becomes a mixed media piece (remember the acrylic varnish?) Oh yes, the fraing is also less expensive - less the matting and glass. Aquabord aslo comes cradled - my next purchase will be cradled - then no framing required at all - just finish the edges!
The surface is tricky, the colour holds well, but a mis placed drop can remove the pigment. Also, when painting wet-in-wet, I find it harder to get an edge than with Arched 300lb paper. So, I love the surface, nice for a change - but will not be giving up working on paper.
Thursday, August 5, 2010
This was no small undertaking. I have been working on this piece for what seems like forever and a day. What makes this piece interesting is that the more you look at it, the more dimentional it becomes! I went through more paint imaginable on this - I guess this is typical of large works. Always makes me marvel though. Watercolours are seemilgly endless in thier supply until you take on a full sheet.
I am ready to retire the mauves... for at least another painting or three. I have already started an iris - shades of ivory, burgundy and a little bit of mauve.