Paintings in watercolor, acrylic and oils. Please visit my web site www.helenshideler.com for more work, If you are interested in purchasing one one my paintings you can reach me via email at email@example.com. Thank you for visiting and please come again to see new painting that I post regularly. All images are copywrite protected.
As long as I can remember I have been drawing and painting. Although my subject matter may have changed with time, what has not changed it my attraction to nature. Being drawn in by sunlight, shadows textures and details all with rich colors. I know I am best challenged when the work has a high element of complexity. I spend much time and effort exploring my subjects - striving to gather as much information as possible before I begin working. My first love is working with water mediums - from watercolors, through acrylics and most recently water soluble oils. Often I may explore the same or similar subject in different mediums.
Watercolor painting of Japanese Quince on Ampersand Aquabord
"Quince" Watercolor painting on Aquabord
Mid-spring each year, we have a wonderful quince shrub that presents us with a shock of color. I am always surprised and pleased with the display. To the point where we have purchased two more quince shrubs. Interestingly enough, the colors on the two newer plants are quite different from the older original shrub.
When we are sitting on the deck and see this blaze of reddish orange at the back of the property, you just have to walk over to admire it up close. Careful not to get too close, it is a thorny shrub. Also somewhat deer resistant which is another reason we acquired two more.
Last year, I completed a quarter sheet watercolor of the quince. I love how these “vermillion” blooms are highlighted with yellows and yet are contrasted with deep shades of red and scarlet in the shadows. Especially when it is back lit by the sun. When the smaller watercolor was completed, I was pleased with the painting but thought I did not achieve the overall effect I was striving for. It needed to be bigger so it would present bolder.
This is the smaller original watercolor on Arches 300lb paper
I drew it out once again on a 22 x 30 sheet of Ampersand Aquabord. The watercolors seem to be more luminous on this material. And the scale of the painting is large enough to create the “drama” I was striving for. So, many weeks later, this is the finished result.